Anita Guerra
Biography
I was born in Cuba four years before Fidel Castro entered Havana. My parents, like most Cubans, supported the revolution against the dictator Batista and raised funds for his fighters in the Sierra Maestra.
As a Cuban, politics have always been an integral and intrinsic part of my life and my art. I have vivid memories of the flower beds planted in the shape of Spanish and Russian letters on the neighbor´s lawn welcoming Gagarin, a Russian astronaut and the first human to enter outer space visiting Cuba at the time. I will never forget how armed militiamen, “Los Barbudos” entered our home. They had come down from the mountains still donning overgrown beards and braids, symbols of their long resistance. At the time I was five years old, and I naively let them into the house. They rummaged through my parents’ wardrobe and found a bottle of champagne. It had the label covered with the signatures of people who attended a benefit party to raise money for Castro and his soldiers. “Los Barbudos” suspected that the bottle was a Molotov cocktail. Outraged, my mother scolded them: “This bottle represents the hope of democracy and freedom, principles that you have betrayed! How dare you enter my house by force and without a warrant and accuse us, who helped you in the Sierra!” My mother was known for being outspoken and had a long history of courageously demonstrating both against Batista and years later, against Castro, despite her pregnant state and with several children in tow.
What followed was a rift from our land and culture in 1961, and a long and painful separation from my brothers and sisters. They ended up in an orphanage in Philadelphia with “Operation Peter Pan”. This family trauma marked every cell of my existence and populated canvases, installations, embroideries, drawings, video documentaries and writings throughout my career. These have been exhibited widely in the U.S., in the Caribbean, and in Italy. I have also written an illustrated memoir soon to be published, initially entitled “Tres Patrias”, but currently changed to “Juan y Josefina”, the names of my parents .
Of equal importance to politics, art was omnipresent in my family and saved us in the darkest moments. Both my parents received their degree in Architecture from the Universidad de la Habana. My father was a modernist architect who was renowned in Cuba in the 1950s. In the United States, however, nobody knew him. They arrived with seven small dependent children and no money, (those who left Cuba after the Revolution could only take $5.00 with them to avoid the flight of money from Cuban banks), but my parents instilled in us the value of beauty, culture, education, faith in God, the fight for social justice, and the integrity of one’s values. Money comes and goes, they told us, but no one can take away the inner wealth that comes from upholding principles.
United, safe and sound in our new adopted country, we spent our childhood creatively transforming what appeared ugly into beautiful works of art. We painted the cracks in our bedroom wall into oriental flowering branches. We would compensate for the long, scorching summers away from the refreshing beaches of Varadero by spraying each other with “hose baths” in our yard. We never threw anything away. Clothes given to us or bought second hand, were handed down to the younger siblings. Similar to Benigni in “La Vita è Bella”, I thank my parents and my older sister, Lourdes, who taught us to give importance to family and to transform simple and seemingly hideous and discarded things into manifestations of beauty.
Perhaps this is why I have always experimented with unusual and recycled surfaces and materials both in my personal works and in my school projects at high school and university. For thirty years, I have supported myself by selling my work and by teaching sculpture, drawing and painting at Temple University Rome, Tyler School of Art and Architecture, and at the international high school, St. Stephen’s School in Rome. I consider working with my students a valuable contribution to my work as a visual artist. There is a mutual exchange of ideas that inform my canvases, embroideries, sculptures, and installations inspired by the young minds and creators at these schools. I listen and watch, always amazed, at the creativity and inventiveness of my students. They have taught me much. I hope I have shared my experiences and talents with them with equal merit.
I, in turn, also thank my mentors: Linda Tranter in high school, Julián Amores Mendoza, fellow of the Academy of Fine Arts Sta. Isabel de Hungría in Seville where I continued my studies; Rockie Toner and Corinne Colarusso at university in Rome and in the USA, who with their example and encouragement, inspired me to dedicate my life to this profession. Sadly, not all my female teachers understood that being a woman, wife and mother did not necessarily exclude an artistic career. In the last year of specialization at the university, newly married, we adopted Firas, the son my husband had from a previous relationship. My etching teacher proclaimed my demise, “Your life as an artist is over! You can’t be a mother and an artist at the same time!”
Luckily, I did not believe her!
I had my debut as a painter at the age of 25 in a group show entitled “Women about Woman”, in the prestigious Noël Butcher gallery in Philadelphia. With a career well established before becoming a mother, I always felt that to have something to say as an artist, I had to live my life to the fullest as a woman, mother, daughter, sister, and friend. Why did I have to sacrifice my desire to be a mother? In the name of whom and what? I am happy that I fell in and out of love, married, and had two sons, Nuri and Omar, not without the enormous challenge of juggling my vocation as a mother and artist. The many joyful, frustrating, and painful experiences of trying to do it all are recurring and irreplaceable themes elaborated in my artworks.
When my children were small, and often alone in raising them with their father away for work, I changed my habits and the scale of my works. I reduced the format of my paintings to the time it took to complete them according to the breastfeeding schedule of my infants. I often arrived to pick up my older children from the soccer field or the pool with my hands still smeared with oil paint and with a constant sense of conflict and guilt. Should I offer to be Omar’s class representative, like a good mother, or spend more time inside my studio? Should I go to that important gallery show and skip dinner with my family? Somehow, and certainly with many mistakes, I kept active as an artist in those early years of my children´s lives while dedicating most of my emotional and material resources to raising them.
My sole human efforts were to prove insufficient.
Omar, my youngest son, tragically died after a devastating illness at the age of 21. If it had not been for my oldest son, Nuri, and my art, I would have died along with him from grief. Immediately after his death, I was invited to exhibit in a series of international group and solo exhibits with Leandro Soto´s C.A.F.É., a group of Cuban artists from the diaspora, and by the Italian Embassy in Havana in a solo exhibition during the week of Italian Culture in Havana in 2016. Was it just fate that aligned the most painful years of my life with the salvific balm of these rewarding milestones in my career as an artist?
It helps me to believe that our Creator, the ultimate artist, can and does turn grief into grace.
The pain of losing my child never really goes away, but I channel his life into every work I create and with every student I mentor. I still firmly believe in the power of youth and beauty to heal wounds and losses by turning them into hope and joy.
I thank my parents for having given me this inner strength, faith in God, and love for art and belief in the intrinsic goodness in people. To my children, my family, the thousands of students I have taught, and so many others who have helped me along this wonderful journey, thank you. It is a privilege to be able to rebuild, redefine and continue to share my life with you through my art.
Curriculum
Selected Group Exhibits
2023 “La Gabbia e Il Volo” Aula Consiliare, I Municipio, Rome, Italy
2023 “&” Faculty & Guests, Temple Gallery, Temple University Rome, Rome, Italy
2022 “Remanso” Ex-Cartiera Latina, Parco di Via Appia, Rome, Italy
2022 “Controvento. Artisti per Pasolini” Villa Guglielmi, Fiumicino, Italy
2021 “Arteporto Fuori Confine”, Ancient Port of Trajan and Claudius, Fiumicino, Italy
2021 “Io e Me: Self Portraits During Lockdown” Sala 1, Permanent collection,
Biblioteca Nazionale Centrale di Roma, Rome, Italy
2021 “50+PontidiConoscenza” https://50piupontidiconoscenze.wordpress.com
2020 “Cross-Connect: One-to-One interviews with Creatives Around the Globe”
Anita Guerra meets Gail Shaw-Clemons, Virtual encounter. IA&A at Hillyer,
Washington DC, USA
2020 “RAW Faculty Exhibit” Rome Art Week, Temple Gallery, Temple University
Rome, Rome, Italy
2019 “Looking at the Trees, Gazing at the Sky” with critical text by Roberta
Melasecca, St. Stephen’s Cultural Center, Rome, Italy
2019 “RAW Faculty Exhibit” Rome Art Week, Temple Gallery, Temple University
Rome Rome, Italy
2018 “Under Another Roof” with Marina Buening, Maria Korporal, Kristien de
Neve. IA&A at Hillyer, Washington DC, USA
2018 “Under the Same Roof” with Marina Buening, Maria Korporal, Kristien de
Neve. Sala 1, Rome, Italy
2017 “50x50x50” 50th Anniversary Exhibit, Temple Gallery, Temple University
Rome, Rome, Italy
2016 ”Temple University Rome 50 Year Celebration.” Past and Present Faculty
Philadelphia, PA, USA Monoprint “At the Top” selected to hang in
Office of President of Temple University, Richard M. Englert.
2015 ”Oltre I Libri: l’arte del presente incontra I libri del passato.” Winner in
Sculpture category, Biblioteca Angelica, Rome, Italy
2012 “Un Cortadito en Calle 8” Cremata Gallery, Miami, Florida, USA
2011 “Woman.Embodied: Cuban Women’s Art from the Diaspora” In memory of
Ana Mendieta. Sangre de Cristo Art Center, Pueblo, Colorado, USA
2011 “Café XII: The Journeys of Writers and Artists of the Cuban Diaspora” In
memory of Antonio Benítez-Rojo. Sangre de Cristo Art Center, Pueblo,
Colorado, USA
2010 “Café X :The Journeys of Cuban Artists” A multi-medium symposium the
Caribbbean Diaspora, Errol Barrow Center for Creative Imagination
Barbados
2015-98 “Faculty Exhibit”, Temple Gallery, Temple University Rome, Italy
2008 Participated in the Rome edition of “Café VIII: The Journeys of
Cuban Artists”co- curated by Leandro Soto. Temple Gallery, Temple
University Rome, Rome, Italy
2008 “Storie Personali e di Memorie” International Art Exhibition at the Palazzo
Rospigliosi, Zagarolo, Italy
2007 “Café VII: The Journeys of Cuban Artists” Interdisciplinary Art and
Performance Gallery, Arizona State University, Phoenix, Arizona, USA
2007 “Art in the Tropics” sponsored by the Cuban American Bar Association
Miami, Florida
2004 “Basel Art”/Miami Design District at “The Gallery”. Seven paintings in a
group show of Cuban artists, Miami, Florida, USA
2004 “Mimosa” Sala Uno for International Women’s Day, Rome, Italy
2003 “Studioaperti” artists in Rome open up their studios to the public.
Sponsored by the City of Rome, Italy
2002 “L’Arte Libera” benefit show to support children’s art program at Laje’e
Center at the Aida Refugee Camp in Bethlehem. Exhibition organized and
Curated by Anita Guerra; held at Daniel Gregory di Domenico, Rome, Italy
2001 “A Day of Remembrance and Resistance” Art Show and poetry reading in
commemoration of September 11th. Temple University Rome, Italy
1999 “Clink, Guerra, Hershey, McNeill” Locke Whitney, New York, NY, USA
1998 “Vola Napoli” Palazzo Reale, Naples, Italy
1997 “Past and Present Faculty: Temple University 30th Anniversary Exhibit”
Temple University, Rome, Italy
1995 “Genesis” Benefit Auction for AIDS patients. The Intercontinental Hotel.
Miami, FL, USA
1994 “Umbria Art Affair”(with Il Polittico Gallery, Rome) Trevi Flash Art Museum,
Trevi, Italy
1992 “Portraits and Landscapes”, St. Stephen’s School, Rome, Italy
1991 “Presenze: Artisti Stranieri Oggi in Italia”, Perugia, Italy
1985 “Women about Woman” The Nöel Butcher Gallery, Philadelphia, Pa, USA
Solo Exhibits
2020 ”Tres Patrias” Temple Gallery, Temple University Rome, Rome, Italy
2016 “Mi Cuba, La Mia Italia: reliving the past, living the present” Critical text by
Manuela De Leonardis Exhibit for Italian Cultural Week, November 20-27,2016
Casa de la Obra Pía, Habana Vieja, Havana, Cuba
2016 “Volver a Cuba” St. Stephen’s Cultural Center, Rome, Italy
- “Ascent”, St. Stephen’s Cultural Center, Rome, Italy
2010 “Building Bridges of Hope: Success Stories and Strategies for Interfaith
Action” painting chosen as logo and for exhibit during conference at the
Pontifical Gregorian University, Rome , sponsored by the Embassy of the
United States of America to the Holy See, Rome, Italy
2006 Zen Sushi, Rome, Italy
2000 “Natura e Geometria” Piccolomini Castle, National Museum of Sacred Art,
Celano/ Aquila, Italy
2000 “Mobilnovo Features Anita Guerra”, Fiera di Roma, Rome, Italy
2000 Sala Gasparri, Populonia,Livorno, Italy
1999 Bijan, Rome, Italy
1997 “L’Albero”, St. Stephen’s School Rome, Italy
1993 The University of Dallas Rome Program, Manziana, Italy
1990 “Form and Figure”The Aart Vark Gallery, Philadelphia, Pa, USA
1989 Centre d’Etudes Saint-Louis–de-France, Largo Toniolo, Rome, Italy
1986 “Un’isola per l’estate” Isola Tiberina, Rome, Italy
Manuela De Leonardis, Roberta Melasecca, Shara Wasserman, Benedetta Dosa, and Marco Di Capua have written about her work.
RAW Rome Art Week Open Studios Participated every year from 2018 to the present
Curatorial Practices
2015 “An Eternal Love: The Art Student and the Non-Catholic Cemetery in Rome”
Organization, selection and installation of exhibit opening June-August 2015
Non-Catholic Cemetery in Rome, Rome, Italy
2013 “The Nest” exhibition of works by young sculptors at the hardware store
“Abbruzzetti”. Voting on best piece open to public, including customers and
pedestrians. Prize ceremony attended by the community on Viale Aventino
(members of F.A.O of the United Nations, St. Stephen’s School)
2008 Curated and participated in the Rome edition of “Café VIII: The Journeys of
Cuban Artists” with Leandro Soto. Temple Gallery, Temple University
Rome, Rome, Italy
2008-06 Curated the Bi-Annual Masqueraded Carnival Ball for the French Embassy at
the Palazzo Farnese with the Temple University Painting on Paper students,
entitled, “Traveling and Travelers” and “Fables and Fairy Tales”, Rome, Italy
2002 “L’Arte Libera” benefit show to support the children’s art program at the Laje’e
Center at the Aida Refugee Camp in Bethlehem. Exhibition organized and
Curated by Anita Guerra; held at Daniel Gregory di Domenico, Rome, Italy
2019– Curated hundreds of student shows, at least six a year at both university and
1982 high school level. In addition, curated the Rome International Schools
Association Annual Art Show at St. Stephen’s School including over 200
artworks, from 1990 to 2012.
T.V. and Radio
2019 “Live Social-By Night” Radio Roma Capitale, Anita Guerra , live radio
interview. Rome,Italy
2016 “Vitrales” Cultural Program created by Katia Cárdenas Radio Emisora Cuba.
Anita Guerra , live radio interview about “Mi Cuba, La Mia Italia” exhibit for
the XIX Week of Italian Culture, Havana, Cuba
2016 “I Giochi dell’Armonia” Cultural Program created by Alessandra Petitta of
Vatican Radio. Anita Guerra , live radio interview about exhibit “Volver a Cuba”
Rome,Italy
http://it.radiovaticana.va/news/2016/05/27/pagine,_fogli,_parole_sognare/1231447
Publications
2016 “On Cuba” Claudia García Pérez interviews Anita Guerra about her exhibition,
“Mi Cuba, La Mia Italia” at the Museum Casa de la Obra Pía, Havana Cuba
2012 “Building Bridges of Opportunity: Migration and Diversity” Painting,
“Tras-tevere used as logo for conference organized by the US Embassy
to the Holy See, Rome, Italy
2011 Herrera O’Reilly, Andrea, “CAFE–Cuban Artists Across the Diaspora: Setting
the Tent Against the House” The University of Texas Press, Austin, TX USA
Interior and Theater Design
2007 Designed and created set designs, props and costumes for the play,“Fish” at
the art colony,“Arteaparte” run by Antonella Neri in Todi, Italy
Conferences
2019 “Autoritratto-Anita Guerra” MACRO ASILO, Museo di Arte Contemporaneo
. Rome, Italy
2018 Six Artist’s Talks at Temple University Rome. Coordinated and hosted
evening lectures.
2015 Artists Talk with Laura Grosso, Serafino Amato, Silvia Stucky and Marcello
Sambati at Art Studio, John Cabot University, Rome, Italy
1998 Participated in the debate entitled “The Philosophy of Art: Past and Present”
by Prof. George Dickie at the Centro Studi Americani, Rome, Italy
1997 Panelist “A Symposium on Meanings, Values and the Arts.The Concept of
Development in the History of Art. Philosophical Perspectives on Painting,
Music and Literature”, based on lecture by Jos de Mul and sponsored by the
Department of Philosophy, Loyola University, Chicago, Rome Center of
Liberal Arts, Rome, Italy
Commissions
2020 Watercolors for graduating senior class and departing faculty at St. Stephen’s
School, Rome. Two editions of 80 and 50 signed giclée prints with originals.
2014 Four oil paintings: Angela Wende, John Jett, Max Patton and Debbie Packer
2013 Tryptich watercolor commission for Molly and Jiri Stejskal of Cetra Language
Solutions of Elkins Park of their Wyncote residence.
2011 Paintings for the Contessa Maria Fede Caproni, Anne Tasca,
1991 Sandra and Grenville Craig, Patricia Harrison, Alessandra Pisanelli
Giuliana Di Marco, Petra and Christian Mcaika, Domenico and Mariolina
Carbone, Piera and Claudio Chiapperi, The Feuchtman family and
Angelo Filippini
1996 “Experts and Expats” Poster for a public debate on the U.S. Political
Elections held at Loyola University, Rome, Italy
1996 “Women in Ancient Thought and Society” Poster for lectures sponsored by
the Department of Philosophy of Loyola University of Chicago, Rome, Italy
1990 Pastel for “Le Querce” Golf Course, Sutri, Viterbo for the designer Jim Fazio
1988 Painting on the Vision of St. Ignatius of Loyola for the Church of St. Ignatius
of Loyola, West Palm Springs, FL, USA
1986 Double-faced mural painting for interior designer, Carla Piccardi, Rome, Italy
Grants
2018 Temple University Presidential Humanities and Arts Award. Research
trip to Miami and Havana to work on illustrated memoir.
(May 2018-May 2020)
2016- Professional Development Fund of Temple University. Research trip to
2015 Cuba to work on illustrated memoir.
(December 2015-January 2016)
2015 The Edward C. Carter Award for Innovation at St. Stephen’s School:
Funds for autobiography, including research trip to Cuba
2012 Semester Sabbatical St. Stephen’s School. Illustrated autobiography project
2011 Professional Development Fund of Temple University Rome, Italy
2009 Professional Development Fund of Temple University Rome, Italy
2001 Professional Development Fund of Temple University Rome, Italy
2010 Faculty Fund, St. Stephen’s School, Rome, Italy
1994 Faculty Fund, St. Stephen’s School, Rome, Italy
Teaching Experience
2022-98 Instructor of Drawing and Painting Temple University Rome, Italy
2022-89 Sculpture and I.B. Art Teacher ,St. Stephen’s School, Rome, Italy
2021-03 Instructor of Drawing (Tenured Faculty)
St. John’s University, Rome Program Rome, Italy
2016 Instructor of Drawing. Trinity College, Rome, Italy
2016 Instructor of Drawing
Arcadia University at Università degli Studi at Roma Tre, Rome, Italy
2016, Visiting Art Critic Rhode Island School of Design,
1998-89 Rome Program, Rome, Italy
2014-08 Instructor of Painting and Drawing
The American University of Rome, Rome, Italy
2011 Instructor of Drawing
Hobart and William Smith Colleges Rome Program.
Scuola Leonardo da Vinci, Rome, Italy
2007 Instructor of Drawing
University of Champlain, Illinois
La Scuola Leonardo da Vinci, Rome, Italy (Summer Program)
2001 Instructor of Drawing
Cornell University Rome Program, Rome, Italy
1999-93 Instructor of Drawing, Painting and Sculpture
The University of Loyola, Rome Program, Rome, Italy
1998-91 Instructor of Drawing
The Human Figure-drawing from life, artistic anatomy
University of Dallas Rome Program, Due Santi, Rome, Italy
1989-88 Instructor of Fine Arts for the Deaf
at the Istituto Gualandi per I Sordomuti, Rome, Italy
1986 Watercolor Instructor,Temple University Rome, Rome, Italy
1986-84 Instructor of Painting
Saint Mary’s College, Rome Program, Rome, Italy
1984-82 Assistant Instructor of Fine Arts
The American College of Rome, Rome, Italy
Education
1984-81 M.F.A. Painting Temple University, Philadelphia, Pa, USA Tyler School of
Art, Rome, Italy
1978-74 B.F.A. Painting Temple University, Philadelphia, Pa, USA Tyler School of
Art, Rome, Italy. Cum laude.
1974-73 Academia de Bellas Artes de Santa Isabel de Hungría, Seville, Spain
Personal Information
Anita Guerra was born in Havana Cuba and received her art training in the
United States, Spain, and Italy. In 1984 she obtained her M.F.A. degree in Painting
from Temple University, Philadelphia. She has been living and exhibiting in Rome,
where she resides, since 1977. Her works hang in collections at the National Museum of
Sacred Art, Castello Piccolomini, Celano, Aquila; Centre d’Etudes Saint Louis de France,
Rome; Pricewaterhouse Cooper, NYC, The Caproni Museum in Trento and in private
collections throughout Europe and the United States. Travel and research grants have
funded trips back to Cuba to paint and work on her illustrated family memoir and exhibit
entitled initially, “Tres Patrias” and currently, “Juan y Josefina”.
Hacia Nuevos Horizontes: Habana/Roma
2023 – 80 x 46 cm Diptych/Dittico (each piece/cadauno) – Oil, ink, markers, and shellac on paper/ pittura ad olio ,pennarelli, inchiostro e gomma lacca su carta di riso giapponese
Figlio bianco e vermiglio, figlio senza somiglio
2015-2022 – 50 x 100 cm – Indirect monoprint and acrylic on non woven cloth/Monotipo indiretto e acrilico su tnt. Diptych/Dittico (each piece/cadauno)
Camisa en Vuelo
2022 – 24 x 22 cm – Oil, ink, and shellac on paper/pittura ad olio, inchiostro e gomma lacca su carta di riso giapponese
Corpus Domus
2018 – 1.5m x 7m (each of the four panels/cadauno dei 4 pannelli) – Acrylic on plastic and acrylic on hand-dyed gauze and cotton embroidery/acrilico su plastico e acrilico su mussola tinta a mano e ricamato in filo di cotone
Tres Patrias
2020 – 2m x 12m x 5 cm, size variable/misura variable – Detail of installation/ particolare dell´installazione, Mixed media and video installation/ técnica mista e video documentario